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Slave Songs of the United States: The Classic 1867 Anthology
Ebook Slave Songs of the United States: The Classic 1867 Anthology
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From the Back Cover
Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned.
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Product details
Paperback: 192 pages
Publisher: Dover Publications (July 6, 1995)
Language: English
ISBN-10: 0486285731
ISBN-13: 978-0486285733
Product Dimensions:
5.5 x 0.5 x 8.5 inches
Shipping Weight: 7.8 ounces (View shipping rates and policies)
Average Customer Review:
3.7 out of 5 stars
28 customer reviews
Amazon Best Sellers Rank:
#380,248 in Books (See Top 100 in Books)
My high school sophomore English students read Julius Lester's book "To Be a Slave" as a foundation for understanding the slave experience in the United States, particularly during the final decades leading up to the Civil War. To further their immersion into the slave culture, I have also purchased numerous slave narratives and other reference materials, including this book: "Slave Songs of the United States," first published in 1867.This collection begins with a 28-page introduction from editor William Francis Allen (1830-1889). In it, he writes: "More than thirty years ago those plantation songs made their appearance which were so extraordinarily popular for a while; and if "Coal-Black Rose," "Zip Coon" and "Ole Virginny nebber tire" have been succeeded by spurious imitations, manufactured to suit the somewhat sentimental taste of our community, the fact that these were called "negro melodies" was itself a tribute to the musical genius of the race."And this collection of 136 songs is, indeed, a tribute to the musical heritage of African-Americans. The collection is divided into four sections: I. Southeastern Slave States (82 songs), II. Northern Seaboard Slave States (20 songs), III. Inland Slave States (9 songs), and IV. Slave Songs of the United States (25 songs).Each song includes music and lyrics, as well as occasional notes of the songs history, origin, lyric meaning and/or use. It would be simply amazing to actually hear these songs as they were originally sung, but having the music and knowing these were songs that helped sustain an enslaved people gives me chills. These songs tell their own story, and it is a fascinating read. VERY HIGHLY RECOMMENDED
Originally published in 1867 and reprinted in a more modern edition, this book of Slave Songs provides insights into performance practice and African-American cultural of the middle of the 19th century. Following the dialect and the purpose of each song as presented in the introductory material is a bit challenging but also rewarding. Especially fascinating was the explanation on the "shout" and the use of the music in religious settings.Meaningful as a primary source and a direct understanding of the use of the language in music, this book of songs is an important and necessary resource for historians of African-American music. Aside from some of the musical flaws in the notation, the music is generally clear with a nice balance of text and actual music. Thankfully this book exists, for without it, much of this music would be lost due to its lack of usage in modern culture. A careful study reveals many great and meaningful songs virtually unknown in today's world. Perhaps some of the songs could and should be included in the canon of fine American folk music.
Ordered 10/30, Received 11/2/18! Arrived in new condition and gives help on pronouncing some of the words / lyrics. Also, tells you if the words have changed over time. I bought this b/c i'm interested in the meaning to some songs i've heard throughout my life and i think this will be an Awesome read!
Look for the Dover reprint Slave Songs of the United States: The Classic 1867 Anthology for a better quality printing at a lower price. This publication in 1867 is, if I recall correctly, the earliest publication of African American spirituals in book form. It did not have the lasting influence of the pivotal The Jubilee Singers and Their Songs (Dover Song Collections) published a few years later, but this book is absolutely indispensable to anyone interested in the subject. The book is available free online with some searching but this inexpensive reprint is an easy read and easy to consult.
There are 136 songs in this book, most of which are no longer sung. They are simply amazing, musically and theologically. An example: "Come and Go With Me", collected in Augusta, GA, presents a major scale with a flat 6th and 7th, and the tune ends on the 4th. Unfortunately, the collectors, as went on for generations as standard procedure, did not acknowledge the names of any of their sources. The original "Michael Row the Boat Ashore" is in here; it is a rowing song from the sea islands, addressed to the archangel Michael as a prayer for safe passage; these lyrics are more striking than the familiar ones. Here are the complete lyrics to "Come and Go With Me", which is singular both in its scale and its notion that heaven is in the present, to be accepted rather than earned:Ole Satan is a busy ole manHe roll stones in my wayMaster Jesus is my bosom friendHe roll 'em out my wayOh, come and go with meOh, come and go with meOh, come and go with meA-walking in the heaven I roamI did not come here myself my LordIt was my Lord who brought me hereAnd I really do believe I'm a child of GodA-walking in the heaven I roamOh, come and go with meOh, come and go with meOh, come and go with meA-walking in the heaven I roamIt was reported that the freed slaves did not want to remember their old songs. And we all have reasons for forgetting a painful past. But look at these songs; they are the heart and soul's truth of life. It is not too late to learn from these people. Put this music in your heart.Water spring that never dry, Hallelu, HalleluThe more we dig, the more it spring, Hallelujah!
Interested in history? Black music? Christianity in the US? I am. I couldn't believe my luck, or the kindness of Providence, in bringing this very old collection to us. It is used by scholars as a primary source, and by singers as great providers of insights. I can hardly recommend it highly enough.
Great
As an African American woman and Poet this book was important for me to have in my possession. It is about black people and our rich musical roots from Slave Songs to Negro Spirituals to Gospel music. This book is a part of African American history!
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